
Underpinnings
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My forms and content draw from Jungian archetypes of the psyche - the Hero, the Shadow, and other fundamental patterns that reside in the collective unconscious. These archetypal figures emerge spontaneously during the painting process, appearing unbidden as I work. Through the physical act of painting, these initial manifestations are gradually refined and given form, allowing the unconscious material to be made conscious and visible.
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I am profoundly interested in what Anthropologist Gregory Bateson has called western civilization’s philosophical error - that we stand apart from nature. My work attempts to highlight this fraught position by engaging directly in the simple things that I have direct experience of and access to - the collective unconscious, my psyche, and nature.
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Everything moves. Everything changes. My artworks embrace this fundamental truth - that we are observers of an endless dance of transformation, where even stillness contains motion and every moment dissolves into the next.
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My role as artist becomes that of both witness and collaborator - observing what wants to emerge from the depths of the psyche, then working with paint and form to give these archetypal energies their fullest expression. The painting process itself becomes a form of active imagination, where the dialogue between conscious technique and unconscious content creates meaning that transcends what either could achieve alone.